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( This should, arguably, look like a pretty idyllic sort of set up. The sun is setting, casting the sky in red and oranges, and the waves are breaking on the beach, and it’s all just pretty nice.
And then Sarissa appears, a few meters back from the recording device. She’s looking less nice, testing the split in her lip with her tongue as she ties her hair back in a messy attempt at a bun and does up a helmet. It kind of looks like she’s wearing a stash of roller derby style knee and shoulder pads and the like, but her hands and wrists have nothing, and she’s barefoot. )
Okay, attempt twenty-four, now with cameraman.
( A nod to whoever it is behind the camera. Sarissa’s voice is tired, a little raspy, but ) Thanks, by the way. This’ll help.
( She rolls her shoulders, soliciting an alarming crunch from them that she ignores, and then it’s straight to it. ‘It’ being a glow in her palms that starts to spark, before she breaks into a run and jumps.
Pretty high jump, that, definitely past what’s the average human jumping range, and the spark of pyrotechnics at her hands intensifies. For a brief, glorious moment, it looks like Sarissa might just be flying—
— before the spark isn’t enough to keep her up, she’s falling. At least she manages to break it up a bit with a sudden burst of the fireworks from her hands, but it doesn’t do much except slow her down, and a second or so after she’s still face planting with spectacular grace and poise into the shallows. )
Fuuuuck yeeees. [and that right there would be whoever it is behind the camera, a voice that is as viscerally familiar to some as nails raking chalkboard. young. male. the camera jolts, shakes, then abruptly zooms on sarissa’s inelegant faceplant on the pitted sand. The top of her helmet is cute.] And that, motherfuckers, is take twenty four. Homegirl can fly. Yo. YO!
[kavinsky raises his voice; he’s practically screaming across the beach. apparently, apart from cameraman duties, kavinsky has also taken it upon himself to be emotional support.] Patty Pan. You look asleep or dead, but mostly, you’re in the way. Of the fucking nudie colony.
( There should be some sort of verbal response, probably, but instead there’s Sarissa groaning and spitting out sand. Lovely - if by ‘lovely’ we mean the opposite of that. )
Of the what? ( Never mind. She’s trying to roll her shoulder, and winces. ) Somehow I thought smashing into the sand would feel less like running into a brick wall.
( Blergh. More sand. )
Don’t worry, ladies. Gents. [kavinsky swoops a few running steps toward sarissa. the camera gets really shaky. As he gets closer, her disgruntled, sand-flecked face grows larger in the viewfinder of the screen.] It’s not brain damage, [he reassures the audience, glibly.] She was like that before. HEY. [the camera stabilizes. by now, they’re enough to see crystals on sarissa’s eyelashes.] Rissa. You got a caption before we upload? Make it good. How many people survive their last words?
Get fucked, mate.
( Equal parts camaraderie and irritation, roughly. HAND OVER CAMERA, shoving it away, handling the situation like a mature adult. And then, muffled, there is a moment of belated realisation: ) Wait, are you broadcasting that? You son of a--
( And cut. )
( ooc: Green is Kavinsky, purple is Sarissa and action options are totally welcome :Db )
And then Sarissa appears, a few meters back from the recording device. She’s looking less nice, testing the split in her lip with her tongue as she ties her hair back in a messy attempt at a bun and does up a helmet. It kind of looks like she’s wearing a stash of roller derby style knee and shoulder pads and the like, but her hands and wrists have nothing, and she’s barefoot. )
Okay, attempt twenty-four, now with cameraman.
( A nod to whoever it is behind the camera. Sarissa’s voice is tired, a little raspy, but ) Thanks, by the way. This’ll help.
( She rolls her shoulders, soliciting an alarming crunch from them that she ignores, and then it’s straight to it. ‘It’ being a glow in her palms that starts to spark, before she breaks into a run and jumps.
Pretty high jump, that, definitely past what’s the average human jumping range, and the spark of pyrotechnics at her hands intensifies. For a brief, glorious moment, it looks like Sarissa might just be flying—
— before the spark isn’t enough to keep her up, she’s falling. At least she manages to break it up a bit with a sudden burst of the fireworks from her hands, but it doesn’t do much except slow her down, and a second or so after she’s still face planting with spectacular grace and poise into the shallows. )
Fuuuuck yeeees. [and that right there would be whoever it is behind the camera, a voice that is as viscerally familiar to some as nails raking chalkboard. young. male. the camera jolts, shakes, then abruptly zooms on sarissa’s inelegant faceplant on the pitted sand. The top of her helmet is cute.] And that, motherfuckers, is take twenty four. Homegirl can fly. Yo. YO!
[kavinsky raises his voice; he’s practically screaming across the beach. apparently, apart from cameraman duties, kavinsky has also taken it upon himself to be emotional support.] Patty Pan. You look asleep or dead, but mostly, you’re in the way. Of the fucking nudie colony.
( There should be some sort of verbal response, probably, but instead there’s Sarissa groaning and spitting out sand. Lovely - if by ‘lovely’ we mean the opposite of that. )
Of the what? ( Never mind. She’s trying to roll her shoulder, and winces. ) Somehow I thought smashing into the sand would feel less like running into a brick wall.
( Blergh. More sand. )
Don’t worry, ladies. Gents. [kavinsky swoops a few running steps toward sarissa. the camera gets really shaky. As he gets closer, her disgruntled, sand-flecked face grows larger in the viewfinder of the screen.] It’s not brain damage, [he reassures the audience, glibly.] She was like that before. HEY. [the camera stabilizes. by now, they’re enough to see crystals on sarissa’s eyelashes.] Rissa. You got a caption before we upload? Make it good. How many people survive their last words?
Get fucked, mate.
( Equal parts camaraderie and irritation, roughly. HAND OVER CAMERA, shoving it away, handling the situation like a mature adult. And then, muffled, there is a moment of belated realisation: ) Wait, are you broadcasting that? You son of a--
( And cut. )
( ooc: Green is Kavinsky, purple is Sarissa and action options are totally welcome :Db )